There are many reasons why In-Ear monitoring is being used more and more, not only by professionals but also by hobby musicians. Here are a few examples:

1) In-Ear monitoring provides a huge improvement in sound. There are no restrictions when designing the mix for your monitor sound. This means that the ratio of the individual instruments in the individual monitor mix can be freely determined by each musician. If you want to hear your own instrument disproportionately loud, this is possible without disturbing other musicians. In addition, you have a stereo signal available, which improves the spatial sound reproduction immensely. Of course, a suitable monitor mixer is required.

2) You hear yourself and your instrument better than ever before and therefore have better control over your instrument. This is not only more fun, but also makes the band play better together.

3) “Tighter” playing by the musicians improves the performance and therefore also the FOH sound. (FOH “Front of House”: the signal reproduced via the PA for the audience).

4) The FOH sound is improved, as no more sound from the monitor speakers is scattered into the microphones! Feedback is a thing of the past.

5) You are free to move around the stage and still have the same sound quality everywhere. (no fixed monitor positions)

6) Your ears are no longer exposed to so much noise. Thanks to the strong external sound insulation of the In-Ears, you can keep the volume moderate!

7) Once the In-Ear mix has been worked out during rehearsals before the tour, the daily sound check time on stage will be drastically minimized. The changing acoustics of the different venues have hardly any influence on the personal monitor sound.

8) Using click, backing tracks or voice instructions is much easier.

9) In-Rar monitoring means less effort during set-up, dismantling and transportation - making it logistically more cost-effective than conventional monitoring (weight, space in the vehicle, etc.).

10) For larger events, In-Ear monitoring is a much lower cost factor (instead of several wedges and power amplifiers per person, only one transmitter system with In-Ears is required).

11) Better visual appearance of the stage by dispensing with monitor speakers.

There are various ways to get your own Custom In-Ears from VISION EARS: directly from us in Cologne, from one of our dealers or by ordering them yourself.

You can find all the information here.

Usually our delivery time is 3-4 weeks. As soon as your order and your ear impressions have arrived, you will receive an email with an exact schedule of the calendar week in which your In-Ears will be ready.

Our delivery times are always slightly dependent on our order situation. Music-intensive seasons (e.g. festival season, carnival, international highlights...) lead to longer waiting times. Current trade fairs, vacation periods and cases of illness can of course also affect delivery times. Nevertheless, we always do everything we can to make every customer happy as quickly as possible.

If you have a tour or similar coming up for which you need the In-Ears, please ask us in advance about the delivery time. We can certainly help you to get your In-Ears on time.

On the product pages of our models, we have tried to describe the sound and the idea behind the In-Ears as good as possible.

However, we strongly recommend that you always listen to the In-Ears at our store or one of our dealers first. Because nothing replaces your own listening experience. There are many factors that influence your decision: Which In-Ears am I currently used to or will it be my first In-Ear monitor? Which instrument do I play? Do I value high resolution with lots of detail or should the sound give me a good feeling? Do I need a model that accentuates my instrument well or do I want a good overall sound? What is my budget? etc... Individual and professional advice is absolutely essential!